Origo
Origin and Artistic Position
Origo marks the inner point of departure of Bernd Weingart’s artistic practice: the moment in which the visible world is not merely observed, but comes into appearance itself—as a resonant field of light, time, and atmosphere. Across all series, the work revolves around a central question: when does the act of seeing allow the world to assume a new form? Here, the theoretical, aesthetic, and poetic foundations of the work condense into a coherent position that understands appearance not as representation, but as a relational event. The fleeting multiplicity of the moment becomes perceptible and tangible as a signature of the present.
Origo brings together the aesthetic and conceptual principles underlying Weingart’s work. At its core are light, time, and atmosphere as conditions of a mode of seeing in which appearance becomes relation.
Fig. 1/3
Voluptas et Dulcedo Sapientum
No. 9/1
for the Homeward Way
No. 2
Artistic Profile
Weingart conceives his practice as a field of resonance. Perception is not a registering act, but a dialogical process in which the world returns the gaze. Serial work allows for the sustained exploration of light, time, and atmosphere, making perceptible subtle transitions and thresholds. Apparent oppositions—mind and matter, freedom and constraint, movement and stillness—coexist without being resolved. The aim is not to stabilize meaning, but to render moments of singular intensity and presence perceptible without diminishing their openness.
Credo
My artistic practice begins in the moment of appearance—where perception, light, and time condense into an experience that cannot be fully explained. In such moments, the conditions of seeing enter into a singular constellation.
The artistic process is understood less as an act of making than as a letting happen. Through serial works, image fields unfold in which appearance becomes experienceable as relation. The works open resonant spaces in which world and perception encounter one another, shift, and reconfigure themselves. Photography is not mere depiction, but a medium in which experience finds a form that holds.
Signatures of the Moment
Signatures of the Moment designates the singular constellation in which visibility comes into being. Light, time, movement, material, body and inner attunement inscribe themselves into the image. What appears is not the motif alone, but the trace of a process: the moment in which world, perception and image touch one another. This multiplicity does not emerge loudly or demonstratively, but in subtle gradations: as sfumato, as slight movement, as fragile condensation, as a quiet shift in perception.
Work Narrative
Weingart’s work unfolds along a central movement: the permeability of appearance. Series such as Whispering Gallery, Nocturnes, Odes, or Beyond Delft explore moments in which the world returns the gaze. Light, time, and atmosphere condense into image spaces of fragile presence. Against the acceleration of vision, the work insists on radical attentiveness. In many of these works, an organic configuration of form emerges, in which transitions, rhythms, and material tensions shape the image.
Short Biography
Bernd Weingart, born in 1965 in the former GDR, grew up in Ohrdruf and lives and works in Berlin. Raised in an environment shaped by books, images, and material processes, he developed an early sensitivity to light, form, and atmosphere. His artistic practice understands perception as resonance—as the moment in which the world returns the gaze. In serially structured bodies of work, Weingart explores those fleeting instances in which light, time, and experience coalesce into a distinct order of appearance.
The full curatorial dossier is available upon request.